YouTube’s ‘Sunshine Girl’ Comes to Print

in Books, Harvey Weinstein, New York Times, Paige McKenzie, Perseus, Sunshine Girl, Television, The Weinstein Company, tv, web series, YouTube

 Nearly five years ago, a chirpy, animated 16-year-old named Paige McKenzie uploaded a 68-second video to YouTube. “Hey everybody, so, I know this is a little strange,” she says, then confides that her house is haunted and she aims to capture the ghost on camera.
More than 130 million views later, Ms. McKenzie’s mockumentary web series, “The Haunting of Sunshine Girl,” has become a full-time job. Each week, Ms. McKenzie spends 80 hours shooting, acting in and editing the show, and frenetically trading messages with viewers.
“Twitter, Facebook, Instagram, Pinterest, Snapchat, Tumblr, Google Plus, YouTube, Meerkat, the occasional smoke signals, you know,” she says when asked how she interacts with her audience. “The interaction is key. I’m accessible. My life is on YouTube.”
Now, there’s a nonvirtual place her fans can find her: bookstores. In an odd inversion of the usual page-to-screen adaptation process, Ms. McKenzie is extending her brand into print by turning her YouTube show into a series of young adult novels. The story follows the same arc as the early web episodes, as its teenage heroine and narrator, Sunshine Griffith, investigates the mystery behind a spirit haunting her house and tries to rescue her mother from demonic possession. The first book, “The Haunting of Sunshine Girl,” comes out this week from Weinstein Books, with endorsements from horror heavyweights like R. L. Stine and the filmmaker Wes Craven.

 Mercedes Rose, left, and her daughter, Paige McKenzie, star in the series “The Haunting of Sunshine Girl.” Credit Leah Nash for The New York Times
“Sunshine Girl,” written with a collaborator, is the latest literary adaptation to emerge from YouTube as publishers and agents trawl the site in a race to land the biggest web video stars. In the past few months, publishers have released a flurry of reverse engineered titles, including “The Pointless Book,” by Alfie Deyes; “Girl Online,” by Zoe Sugg; and “Grace’s Guide,” by Grace Helbig.
Some publishers are so bullish about leveraging online audiences into print sales that they have created entire imprints dedicated to YouTube, including Awesomeness Ink and Keywords Press, which is releasing nine books this year by web personalities like Connor Franta, Shane Dawson and Justine Ezarik.
The results have been spotty. “Epic Meal Time,” a cookbook based on a YouTube show with more than 6.7 million subscribers, has sold just 2,192 paperback copies since Gallery Books published it last spring, according to Nielsen, which tracks 85 percent of sales.
“I’m holding my breath,” said Jennifer Bergstrom, vice president and publisher of Gallery Books, which will publish a book by the YouTube comedian Miranda Sings this July. “The concept of people watching videos and wanting to buy the book, I question whether that’s going to be a natural progression.”
With “The Haunting of Sunshine Girl,” Ms. McKenzie and her publisher hope to avoid similar pitfalls. Rather than banking on a social media brush fire to ignite her fan base, Weinstein Books is running parallel marketing campaigns, one aimed at Ms. McKenzie’s YouTube audience, the other targeting potential readers who have not heard of her. Author and publisher have posted a book trailer on Ms. McKenzie’s YouTube channel and sent galleys to influential video bloggers, but they are also courting booksellers, librarians and readers of young adult and paranormal fiction. Ms. McKenzie sent letters written in the voice of Sunshine to book buyers at Barnes & Noble stores. Weinstein printed 2,000 galleys of the first book and made it available digitally for reviewers on the website Goodreads.
“While she has a tremendous fan base we can market to directly, we didn’t know if the people who love Sunshine and watched her grow up are readers and book buyers,” said Georgina Levitt, the publishing director of Weinstein Books. “We didn’t want people to feel like this was a derivative work of a successful YouTube channel.”
If everything goes according to Ms. McKenzie’s carefully drawn blueprint, the book will establish a multimedia franchise. A television show — based on the novel based on the YouTube show — is in production at the Weinstein Company, and Ms. McKenzie’s contract locks her in as the star.
Harvey Weinstein, co-chairman of the Weinstein Company, said he is confident the company has a crossover hit, citing strong results from an informal focus group: “I have four daughters, and three of them are into ‘Sunshine Girl,’ ” Mr. Weinstein said, calling the story “Buffy the Vampire Slayer” for a new generation.
“Sunshine Girl” was never just a teenager messing around with a hand-held camera, despite the spontaneous, home video-feel of the show.
“None of this was by accident,” said Mercedes Rose, Ms. McKenzie’s mother, co-star and business partner. “We always thought the numbers would get so large that Hollywood would have to pay attention.”
The project started in 2010 when a film producer, Nick Hagen, contacted Ms. Rose, an actress and voice-over artist, about collaborating on a YouTube show. He chose the haunted house theme partly because the subject proved popular when he did a reverse keyword search to see what people were looking for on YouTube.
“At the time, the No. 2 search subject was ‘ghost,’ and No. 1 was ‘Lil Wayne,’ and you can’t do a whole channel on Lil Wayne,” Ms. McKenzie said.
Ms. Rose, her daughter and Mr. Hagen formed a production company, Coat Tale Productions. They quickly learned some tricks for luring in viewers, like posting warnings on the videos that say “Don’t Watch!” Rumors swirled, helpfully, that the ghostly apparitions were real. Nearly a year later, the videos passed five million views. The show now brings in around $6,000 a month in advertising.
Ms. McKenzie, who is now 20 and lives outside of Portland, Ore., says Sunshine’s character is “99.8 percent” based on her. She spent much of her adolescence in front of the camera. When she was harassed at school, she spoke about it on camera as Sunshine. She griped on the show about her wheat allergy and her frizzy hair. “I pretty much grew up on YouTube,” she said. “This is my full-time job. This is my life.”
In 2013, the literary agent Mollie Glick saw a feature on Ms. McKenzie in Seventeen magazine, and asked her if she was interested in writing a novel based on her show. Ms. Glick paired Ms. McKenzie with a young adult novelist, Alyssa B. Sheinmel, who wrote three sample chapters and an outline. A book deal quickly followed. Last spring, Weinstein bought a partial manuscript at auction — in a low-six-figure, two-book deal — and separately optioned screen rights. The company plans to expand the Sunshine series, and recently bought a third book.
“When we saw the enthusiasm building from booksellers, we reached out to the agent to get a third book going,” said David Steinberger, president and chief executive of the Perseus Books Group, which includes Weinstein Books.
As Ms. McKenzie prepares to meet many of her fans in the flesh for the first time on an 11-city book tour, she seems comfortable as the face of a new franchise. But she is also careful not to take too much credit. When asked about her writing process, she readily acknowledges that Ms. Sheinmel did the bulk of the writing.
“I can’t do this by myself, are you crazy?” Ms. McKenzie said. “I’ve never written a book. I don’t know how to do that.”

Congratulations to our client Beth Macy

in Beth Macy, Factory Man, HBO, John Bassett, New York Times, Playtone, Pulitzer Price, Tom Hanks, Uncategorized

 Credit Illustrations by Jon McNaught

NONFICTION

AMERICAN MIRROR: The Life and Art of Norman Rockwell. By Deborah Solomon. (Farrar, Straus & Giroux, $28.) Solomon pays honest respect to Rockwell for his dedication through periods of self-doubt, depression and marital tumult.

BEING MORTAL: Medicine and What Matters in the End. By Atul Gawande. (Metropolitan/Holt, $26.) A meditation on living better with age-related frailty, serious illness and approaching death.

BUILDING A BETTER TEACHER: How Teaching Works (and How to Teach It to Everyone). By Elizabeth Green. (Norton, $

27.95.) What emerges here is the gaping chasm between what the best teachers do and how they are evaluated.

CAN’T WE TALK ABOUT SOMETHING MORE PLEASANT? Written and illustrated by Roz Chast. (Bloomsbury, $28.) This scorchingly honest, achingly wistful graphic memoir looks at the last years of Chast’s nonagenarian parents.

CHINA’S SECOND CONTINENT: How a Million Migrants Are Building a New Empire in ­Africa. By Howard W. French. (Knopf, $27.95.) French delves into the actual lives of the Chinese who have uprooted themselves to live and work in Africa.

CUBED: A Secret History of the Workplace. By Nikil Saval. (Doubleday, $26.95.) This account of office design and technology since the Civil War offers insights into the changing nature of work.

DEEP DOWN DARK: The Untold Stories of 33 Men Buried in a Chilean Mine, and the Miracle That Set Them Free. By Héctor Tobar. (Farrar, Straus & Giroux, $26.) Tobar graphically recounts the quandaries faced by the victims of Chile’s 2010 mine disaster.

DEMON CAMP: A Soldier’s Exorcism. By Jennifer Percy. (Scribner, $26.) Percy’s first book follows an anguished Army veteran who searches for salvation in a Christian exorcism camp.

DUTY: Memoirs of a Secretary at War. By Robert M. Gates. (Knopf, $35.) One of the few Obama administration members who come off well in this frank account — probably one of the best Washington memoirs ever — is Hillary Clinton.

DYING EVERY DAY: Seneca at the Court of Nero. By James Romm. (Knopf, $27.95.) A classicist tries to unravel the enigma of the Stoic philosopher who was the Roman emperor Nero’s adviser.

EICHMANN BEFORE JERUSALEM: The Unexamined Life of a Mass Murderer. By Bettina Stangneth. Translated by Ruth Martin. (Knopf, $35.) The Eichmann of this study is a much more motivated Nazi than in Arendt’s version.

ELEPHANT COMPANY: The Inspiring Story of an Unlikely Hero and the Animals Who Helped Him Save Lives in World War II. By Vicki Constantine Croke. (Random House, $28.) A rich portrait of a fascinating Englishman in extraordinary times.

EMBATTLED REBEL: Jefferson Davis as Commander in Chief. By James M. McPherson. (Penguin Press, $32.95.) The Confederate president as “a product of his time and circumstances.”

THE EMPATHY EXAMS: Essays. By Leslie Jamison. (Graywolf, $15.) Considerations of pain, physical and emotional, and how it affects our relationships with one another and with ourselves.

FACTORY MAN: How One Furniture Maker Battled Offshoring, Stayed Local — and Helped Save an American Town. By Beth Macy. (Little, Brown, $28.) Macy’s folksy concentration on her local hero makes complex global issues ­understandable.

http://www.nytimes.com/2014/12/07/books/review/100-notable-books-of-2014.html?smid=tw-share&_r=0

Congratulations to our client, Pulitzer Prize winner Rod Nordland, on the sale of his book “The Lovers”

in Afghanistan, Ecco, Harper Collins, New York Times, Pulitzer Price, Rod Nordland, Romeo and Juliet, The Lovers, The Observer

Rod Nordland

By   The New York Times‘ Kabul bureau chief Rod Nordland has signed what is known in industry parlance as a “major deal,” with HarperCollins imprint Ecco to expand on a series of stories he wrote last year.

The book, tentatively titled The Lovers and slated for publication next October, grew out his coverage of a Romeo and Juliet-type tale of a young Afghan couple from different ethnic sects, struggling to stay together despite the danger and threat of death that their union poses.

“She is his Juliet and he is her Romeo, and her family has threatened to kill them both,” Mr. Nordland wrote in one of his stories about star-crossed lovers Zakia, 18, and Mohammad Ali, 21.

A veteran foreign correspondent, Mr. Nordland won a Pulitzer Prize in 1983 for his worked covering the impact of war on Cambodia, Vietnam and East Timor for The Philadelphia Inquirer. He joined the Times in 2009 from Newsweek, where he was the chief foreign correspondent and was named the paper’s Kabul bureau chief in 2013.

Mr. Nordland’s agent, David Patterson of Foundry Literary + Media, announced the deal earlier this week in Publisher’s Marketplace, the subscription-based newsletter and industry database.

“It’s a spectacularly big book; the kind of riveting, elemental human narrative on which a number of weighty topics can ride,” Mr. Patterson told the Observer via email. “Readers of the paper have been tremendously moved by Rod’s stories about Zakia and Mohammad Ali, and I am certain that they will react similarly to the complete story that they’ll get in the book.”

http://observer.com/2014/11/new-york-times-kabul-bureau-chief-lands-major-book-deal/#ixzz3JYNiqOO2